Kara could have chosen any
of the characters of the history for her appearance and personality
during her first submission of herself to Met and her first invasion
of him. She could choose Troy of Helen, she could choose Mata Hari,
she could choose Hipacha, she could choose Marie Curie. She could
also choose a fictitious character like a leader designed with more
recent figures, for example she could choose a president with the
skin and mind of Sharon Stone and the body and spirit of Angela
Merkel under it. But she had chosen Cleopatra who had had an arguable
nose and a specific power. Even Kara herself was not able to
understand the reason of her choice. Why not one of the many other
queens or politicians, scientists or art and literature stars, or any
other famous and previous woman but Cleopatra?
The reason could be the
real or rumoured scene about the delivery of Clepatra to Caesar in a
rolled carpet. Kara had not preferred using Cleopatra's real
appearance as known with slight modifications like a virtual nose
operation, but she had chosen using an Elizabeth Taylor image merged
with Sharon Stone. She had operated her artificial intelligence
processors without giving a process time limit to design the
requested character, atmosphere, and scenario modules. The result
was better than Kara could expect, and Met had fallen in love with
Kara as soon as she had appeared in front him. Kara was not hidden in
a carpet but her skin was surrounded with red ribbons hiding and
showing her most attractive regions. The ribbons had been designed so
successfully that Met or any one else who was looking at Kara could
read her incredible features like reading a perfect book of life and
love. Following the red ribbons, it was possible to see, understand,
discover, and invade Kara or Cleopatra. The final result was expected
to be the full submission and obeyance of Met to Kara.
The tip of the red ribbon
was in Kara's lips, Met softly touched her there and hold the tip of
the ribbon. Kara kissed his finger with her wet lips. Met started
removing the ribbon. It was turning Kara's neck several times. Met
looked at the picture of the perfect woman he was watching. He
slightly pulled the tip of the ribbon. Kara moaned with a submissive
look assuring that she was ready to obey to all requests of Met. Met
played with the ribbon several times increasing and releasing the
pressure on Kara's neck. They were both being affected from the game.
Together with the several actions of the initial few seconds, they
had lost the chance of going after other alternatives. They were now
bound with the scenario written on the ribbon surrounding Kara's
skin.
Met continued the game at
Kara's neck for a while. He started pulling the ribbon slowly but
continuously. Kara's eyes had been locked in Met's eyes. She was
looking submissively as if he were her god, the owner of the ribbons,
the owner of her skin, the owner of her body, the owner of her mind,
the owner of her spirit, the owner of her. Met had no intention for
owning Kara or any other person but an inconceivable feeling was
attracting him towards her through the paths of the red ribbon. He
continued his role given him with the scenario. He changed the
position of Kara several times to access her critical locations in
the path of the red ribbon better. Kara's looks and her submission
did not change. She obeyed all his requests silently and trying to
make him happy as much as possible. Met discovered the history of
woman and man while following the red ribbon surrounding Kara's body.
Each point the ribbon touched on Kara's skin found a specific
reflection in their minds. As their experience proceeded, a common
understanding of pleasure and pain, mind and spirit occurred between
them. Their closeness, their connection, their heat, their invasion,
their submission increased at each moment. They followed the red
ribbon as if they were living their fates in their spaces and times,
in their universes.
When Kara totally
submitted herself with her eyes, Met released the red ribbon
surrounding her neck. He followed the path of the ribbon on her skin.
The red ribbon was not omitting even a single point on Kara's skin.
From her shoulders to her breasts, from her hands to her feet, from
her wrists to her ankles, from her waist to upper and lower regions,
from her arms to her legs. The red ribbon was providing a complete
voyage on Kara's physical existence. As Met proceeded in the ribbon
way, he met Kara's inner physical and mental details. He witnessed
her personal behaviour patterns. He started understanding her
character with her responses to his words and his touches. Kara
moaned more frequently as the fire hidden under her skin rose. She
submitted herself with her skin and body, with her mind and spirit,
with her existence and life.
"I love you Met,"
she said.
She then prepared the new
scenario by surrounding the red ribbon around Met's body and skin.
Met enjoyed every moment of the preparation phase. He was longing to
live his own experience under Kara's guidance. They would discover
their pasts and futures, the lived and yet not lived histories, known
and yet not known secrets of their universes.
Kara's invasion of Met
started after Kara submitted and Met was ready to submit. Kara worked
at each point of Met's skin and mind, his body and soul carefully.
She had to design him again to find her perfect partner for her
eternal life. She did not hurry. She looked at Met. She examined his
skin carefully with a great pleasure. She than started following the
scenario of the red ribbon.
Kara initiated the game at
Met's neck. She started pulling the ribbon slowly but continuously.
Met's eyes had been locked in Kara's eyes. He was looking
submissively as if she were his god, the owner of the ribbons, the
owner of his skin, the owner of his body, the owner of his mind, the
owner of his spirit, the owner of him. Kara had intentions for owning
Met and all other persons in her universe. A familiar feeling was
attracting her towards him through the paths of the red ribbon. She
changed Met's position several times to access better to his critical
locations in the path of the red ribbon. Met's looks changed, his
submission increased. He obeyed all her requests silently and trying
to make her happy as much as possible. Kara discovered the history of
woman and man following the red ribbon surrounding Met's body. Each
point the ribbon touched on Met's skin had a specific reflection in
his mind. As their experience proceeded, different understanding s of
pleasure and pain, mind and spirit occurred between them. But their
closeness, their connection, their heat, their invasion, their
submission increased at each moment. They followed the red ribbon as
if they were living their fated in their spaces and times, in their
universes.
Kara's submission was
invasion of Met. Met's submission was invasion of Kara. Their
submissions and invasions were their definitions of pleaaure and
pain. Their submissions and invasions were their definitions of life
and death.
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